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AWARDS / HONORS / RESIDENCIES
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| 2010 |
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New American Paintings, Northeast Edition, Open Studios Press, Boston, MA |
| 2009 |
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Massachusetts Cultural Council, Finalist |
| 2007 |
|
Grant Recipient, Artists' Resource Trust |
| 2004 |
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Ballinglen Arts Foundation Fellowship Program, County Mayo, Ireland
|
| 2003 |
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New American Paintings, Northeast Edition, Open Studios Press, Boston, MA |
| 2001 |
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Ballinglen Arts Foundation Fellowship Program
|
| 1998 |
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Ballinglen Arts Foundation Fellowship Program
|
| 1995 |
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Polaroid Grant, Artist Support Program, 20x24 Studio New York
|
| 1991 |
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Edna Saint Vincent Millay Colony, Austerlitz, NY
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| 1987 |
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Artist in Residence, Earthwatch, Klingenstein Grant
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| 1986 |
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Rome Prize Fellowship, American Academy in Rome, Finalist Painting
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Massachusetts Artist Foundation Grant, Finalist Painting
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| 1982 |
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Blanche E. Coleman Award, Painting, Boston, MA |
|
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SOLO EXHIBITIONS
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| 2011 |
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Mopang: Recent Paintings, Lohin Geduld Gallery, New York, NY
|
| 2010 |
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Waterlines, Danforth Museum of Art, Framingham, MA
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| 2009 |
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Where There's Water, Lohin Geduld Gallery, New York, NY
|
| 2008 |
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Just the Elements: New Paintings, Alpha Gallery, Boston, MA
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| 2007 |
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What the Weather Brings, Lohin Geduld Gallery, New York, NY (cat.)
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| 2005 |
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Going West, Catherine Hammond Gallery, West Cork, Ireland
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The Edge of the World, Lohin Geduld Gallery, New York, NY (cat.)
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Madison Avenue: Where Fashion Meets Art, Lalique, New York, NY
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| 2004 |
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Recent Paintings, Alpha Gallery, Boston, MA
|
| 2003 |
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Circuits—New Paintings, Karen Jenkins Johnson Gallery, San Francisco, CA
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| 2001 |
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Garden of Memory, Alpha Gallery, Boston, MA (cat.)
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| 2000 |
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Seven Landscapes for the Millennium, Emmanuel College, Boston, MA
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| 1997 |
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Still Life/Landscape, 1993–1997, Alpha Gallery, Boston, MA
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| 1995 |
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Paintings from 1984–1995, Nesto Gallery, Milton Academy, Milton, MA
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| 1994 |
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Monoprints and Paintings, Alpha Gallery, Boston, MA
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| 1993 |
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Breathing In Memoriam, Monoprints, New Work/New England Exhibition,
DeCordova Museum, Lincoln, MA
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|
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The Maine Paintings, Frick Gallery, Belfast, ME
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| 1992–89 |
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Recent Paintings, Alpha Gallery, Boston, MA
|
| 1987 |
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New Work, Fine Arts Gallery, University of Rhode Island, Kingston, RI
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| 1988–86 |
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Paintings, Victoria Munroe Gallery, New York, NY |
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SELECTED GROUP EXHIBITIONS
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| 2012 |
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Counterpoint: Anne Neely and Tom Chapin, Center for Maine Contemporary Art, Rockport, ME |
| 2011 |
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Maine as Muse, Lohin Geduld Gallery, New York, NY
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| |
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MCC Fellows at the South Shore Art Center, Shipyard Gallery, Hingham, MA |
| 2010 |
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Large/Small, Lohin Geduld Gallery, New York, NY
|
| |
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Water, Sun Valley Art Center, Ketchum, ID
|
| 2009 |
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Drawing Atlas, Pennsylvania College of Art and Design, Phildelphia, PA
|
| |
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Intricacies, Lohin Geduld Gallery, New York, NY
|
| |
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Resonance of Place, Gross McCleaf Gallery, Philadelphia, PA
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| 2008 |
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Boston Ten, Ferrin Gallery, Pittsfield, MA
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| |
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Drawing Atlas, Lohin Geduld Gallery, New York, NY
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| 2006 |
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Curator’s Choice. Painting Structure, Center for Maine, Contemporary Art, Rockport, ME
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Boston 10, Lucano Gallery, Great Barrington, MA
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|
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The Ballinglen Experience, American Artists in Ireland,
curated by Ann Brooke, The Concord Art Assocation, Concord, MA (cat.)
|
| 2005 |
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The Long View: Selections from the Norma Marin Collection, Museum of Art, UM, Bangor, ME
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|
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Small Works, Lohin Geduld Gallery, New York, NY
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| 2004–05 |
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Summer Selections, Alpha Gallery, Boston, MA
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| 2004 |
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Celebrate Summer, Jenkins Johnson Gallery, San Francisco, CA
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|
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Leisure, Curated by Sheila Gallagher, North Haven Gallery, North Haven, ME
|
| 2003 |
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Images from North Mayo, Courthouse Gallery, Ballycastle, County Mayo, Ireland
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|
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Points of View: New England Artists in Ireland, New Art Center, Newton, MA
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|
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Eire/land, McMullen Museum of Art, Boston College, Boston, MA
|
| 2002 |
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Juried Biennial, Center for Maine Contemporary Art, Rockport, ME
|
| 2000 |
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Celebrating Contemporary Art in NE: Recent Aquisitions, DeCordova Museum, Lincoln, MA
|
|
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Visual Memoirs: Selected Paintings and Drawings, Curated by Carl Belz, Rose Art Museum,
Brandeis University, Waltham, MA
|
| 1998 |
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Immortalized, Art Complex Museum, Duxbury, MA
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|
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From the States, The National Museum for Women in the Arts, Washington, DC
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|
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Milton Creates, Bicentennial Exhibition, Curated by J. Carter Brown, Director Emeritus, National Gallery of Art, Washington, DC, Milton Academy, Milton, MA
|
| 1997 |
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Shifting Grounds: A Dialogue in Print, Boston University, Boston, MA
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|
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Fiftieth North American Print Exhibition, MA College of Art, Boston, MA
|
| 1996 |
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The Eighth Triennial, Fuller Museum of Art, Brockton, MA
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| 1995 |
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Inspired by Nature, Boston College Art Museum, Chestnut Hill, MA
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| 1994 |
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The Unique Print, Maine Coast Artists, Rockport, ME
|
| 1992 |
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Critics Choice, Duxbury Art Complex Museum, Duxbury, MA
|
| 1989 |
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Landscape of the Spirit, The Bruce Museum, Greenwich, CT (cat.)
|
| 1986 |
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50 Works. E.F. Hutton Collection, Curated by Henry Vazquez, Metropolitan Museum and Art Complex,
Coral Gables, FL (cat.)
|
| 1985 |
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Ardent Gestures (Six Painters), Curated by Susan Stoops, Rose Art Museum, Brandeis University,
Waltham, MA (cat.)
|
| 1984 |
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New Vistas: Contemporary American Landscapes, Hudson River Museum, Yonkers, NY
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|
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Tucson Art Museum, Tucson, AZ |
|
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SELECTED PUBLIC AND CORPORATE COLLECTIONS
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|
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Amerada Hess, Woodbridge, NJ
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AT&T Longlines, Newark, NJ
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Bank of Boston, Boston, MA
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Boston Public Library, Boston, MA
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Brooklyn Museum, Brooklyn, NY
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Chemical Bank, New York, NY
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|
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Davis Museum and Cultural Center, Wellesley College, Wellesley, MA
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DeCordova Museum and Sculpture Park, Lincoln, MA
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|
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The Farnesworth Art Museum, Rockland, ME
|
|
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Fidelity Investments, Boston, MA, New York and Singapore
|
|
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Grenwald Center for Graphic Arts at UCLA
|
|
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Arman Hammer Museum, Los Angeles, CA
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|
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Milbank, Tweed, Hadley and McCloy, New York, NY
|
|
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Museum of Fine Arts, Boston, MA
|
|
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National Gallery of Art, Washington, DC
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|
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New York Public Library, New York, NY
|
|
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Office of Public Works, County Cork, Ireland
|
|
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Perry Corporation, New York, NY
|
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Polaroid Corporation, Cambridge, MA
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Reader’s Digest, Pleasantville, NY
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|
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Rose Art Museum, Brandeis University, Waltham, MA
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|
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Simmons College, Boston, MA
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Simpson, Thatcher and Bartlett, New York, NY
|
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Sonesta International Hotels, Boston, MA
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|
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The Smithsonian, The National Museum of American Art, Washington, D.C.
|
|
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The Gund Collection, Cambridge, MA
|
|
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The Putnam Companies, Boston, MA
|
|
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The Rita Rich Collection, New York , NY
|
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Wellington Management, Boston, MA
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Whitney Museum of American Art, New York, NY |
|
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BIBLIOGRAPHY
|
| 2011 |
|
100 Artists of New England, E. Ashley Rooney, Schiffer Publishers |
| |
|
Knox, Robert, Behind the Scenes, "MCC Fellows Art Exhibition", The Boston Globe, 1/6 |
| 2010 |
|
McQuaid, Cate, "Variations on space, depth, shadow", Art Review, The Boston Globe, 4/18 |
| 2009 |
|
Elisa Decker, Review, Art in America, September
|
| |
|
Joanne Silver, National Review, "Anne Neely Alpha Boston", ARTNews, April
|
| 2008 |
|
Cate McQuaid, Review, "'Elements' Pushes Landscape to Its Boundaries," The Boston Globe,
Wednesday, October 8, 2008 |
| 2007 |
|
Walentini, Joseph, Review, Abstract Art on Line, March 15
|
| 2005 |
|
Dunne, Aidan, Review, The Irish Times, August 12
|
|
|
Mathews-Berenson, catalogue essay, The Edge of the World, Sojourner, March
|
|
|
Spiher, David, Review, Galleries, "Defying Gravity," Gay City, March 3–9
|
|
|
Walentini, Joseph, Review, New York Views, Abstract Art On Line, March 1
|
| 2004 |
|
Nadelman, Cynthia, Review, ARTNews, National Reviews, March
|
| 2003 |
|
Corbett, William, Review, artsMedia, December
|
|
|
McQuaid, Cate, Review, The Boston Globe, "Taking Landscapes to a new horizon", November
|
| 2002 |
|
Howards, Ellen, Article, artsMedia, "Ireland’s Hold on Boston’s Artists", March
|
|
|
Sherman, Mary, Review, ARTNews, National Reviews, March
|
|
|
McQuaid, Cate, Review, The Boston Globe, "Through Neely’s Eyes," January 5
|
| 2000 |
|
Giuliano, Charles, Review, Art New England, Vol. 20 No. 2 April/May
|
|
|
McQuaid, Cate, Review, The Boston Globe, "Galleries A haunted,
poetic vision...", February 3
|
| 1999 |
|
Silver, Joanne, Review, Boston Herald, "Exhibit Helps Deal with Death," January 15 |
|
|
Temin, Christine, Review, The Boston Globe, "Artists...about their dearly departed", January 8
|
| 1997 |
|
McQuaid, Cate, Review, The Boston Globe, "Still Lifes with inner lives", April 10
|
| 1996 |
|
McQuaid, Cate, Review, The Boston Globe, "Memento Mori", December 5
|
|
|
Temin, Christine, Review, The Boston Globe, "Best of Show", September 20
|
| 1995 |
|
Worth, Alexi, Review, Art New England, Vol. 16, No.5, Aug/Sept
|
|
|
Unger, Miles, Review, The New Art Examiner, January
|
| 1994 |
|
Stapen, Nancy, Review, The Boston Globe, "Neely evolves naturally," October 20
|
| 1993 |
|
Temin, Christine, Article, "Neely’s Breathing Series: At once personal and universal,"
The Boston Globe, March 10
|
|
|
Giuliano, Charles, Review, Art New England, Vol.16 No. 5, Aug/Sept
|
| 1992 |
|
Tarlow, Lois, Interview profile, Art New England, Volume 13, No. 5, Aug/Sept
|
|
|
Temin, Christine, Boston Sunday Globe, "Talented, determined leadership
made 1992 a good year for art, 10 Best in Visual Arts", December 27, 1992
|
| 1989 |
|
Zimmer, William, Review, The New York Times, "Spiritual Side of Art", April 2
|
| 1988 |
|
Stretch, Bonnie Barrett, "The New Age of Corporate Art", ARTnews, January
|
| 1986 |
|
Henry, Gerrit "New York Reviews", ARTnews, June
|
|
|
Johnson, Stephen, catalogue essay, Plein Air, An Exhibition of Landscape Paintings and Drawings,
Bank of Boston, Boston, MA, February–April
|
|
|
Larson, Kay "New Faces of 86’," New York Magazine, March
|
| 1985 |
|
Giuliano, Charles, Review, "Six Neo-Romantic Artists", Art New England, April
|
|
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Giuliano,Charles, Review, The Patriot Ledger, February 19
|
|
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Guillemin, Robert, Review, The Heights, February 11
|
|
|
Stapen, Nancy, "Painters at the Rose", Christian Science Monitor, March 29
|
|
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Stoops, Susan, Catalogue essay, "Ardent Gestures", Rose Art Museum, Brandeis University,
Waltham,MA
|
|
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Taylor, Robert, Review, "Brandeis Show Provides Six Different Styles", The Boston Globe, April 7
|
|
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Yarde, Sally, Catalogue essay, "An Architect’s Eye: Selections from the Gund Collection",
Mount Holyoke College Art Museum, South Hadley, MA
|
| 1984 |
|
Oresman, Janice, Catalogue essay, "New Vistas: Contemporary American Landscapes", Hudson River Museum, Yonkers, NY and the Tucson Art Museum, Tucson, AZ |
|
|
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EDUCATION
|
| 1970 |
|
B.A. Degree, Old Dominion University, Norfolk, VA |
| 1966 |
|
A.A. Degree, Colby Sawyer College, New London, NH |
|
|
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PROFESSIONAL TEACHING
|
1974–
present |
|
Art Instructor, Milton Academy, Milton, MA
|
2006–
present |
|
Nesto Gallery Director, Milton Academy, Milton, MA |
| 2007 |
|
Visiting Artist, Hampshire College, Amherst, MA |
| 2005 |
|
Visiting Artist, Art Institute of Boston, Boston, MA |
| 2004 |
|
Visiting Artist, Westminster School, Simsbury, CT
|
| 1999 |
|
Visiting Artist, Massachusetts College of Art, Boston, MA
|
| 1998 |
|
Juror For Traveling Scholarship, School of the Museum of Fine Arts, Boston, MA
|
| 1997 |
|
Visiting Artist, University of New Hampshire, Durham, NH
|
|
|
Recipient, Thomas Lamont Teaching Chair in the Humanities, Milton Academy, Milton, MA
|
|
|
Visiting Artist, Massachusetts College of Art, Boston, MA
|
| 1996 |
|
Visiting Artist, DeCordova Museum, Educational Program, Lincoln, MA
|
|
|
Visiting Artist, Roxbury Latin School, Roxbury, MA
|
| 1995 |
|
Visiting Artist, Maine College of Art, Portland, ME
|
| 1992 |
|
The Talbot Baker Award for Teaching Excellence, Milton Academy, Milton, MA
|
|
|
Visiting Artist to Graduate Students, Painting, School of the Museum of Fine Arts, Boston, MA
|
| 1981–94 |
|
Nesto Gallery Director, Milton Academy, Milton, MA
|
|